Design For More-Than-Human Futures Towards Post-Anthropocentric Worlding Routledge Research in Design, Technology and Society Series

This book explores the work of important authors in the search for a transition towards more ethical design focused on more-than-human coexistence.

In a time of environmental crises in which the human species threatens its own survival and the highest level of exacerbation of the idea of a future and technological innovation, it is important to discard certain anthropocentric categories in order to situate design beyond the role that it traditionally held in the capitalist world, creating opportunities to create more just and sustainable worlds. This book is an invitation to travel new paths for design framed by ethics of more-than-human coexistence that breaks with the unsustainability installed in the designs that outfit our lives. Questioning the notion of human-centered design is central to this discussion. It is not only a theoretical and methodological concern, but an ethical need to critically rethink the modern, colonialist, and anthropocentric inheritance that resonates in design culture. The authors in this book explore the ideas oriented to form new relations with the more-than-human and with the planet, using design as a form of political enquiry.

This book will be of interest to academics and students from the world of design and particularly those involved in emerging branches of the field such as speculative design, critical design, non-anthropocentric design, and design for transition.

1. Notes on Excess: Towards Pluriversal Design 2. Anticipations of more than human futures 3. Design’s Intimacies: The Indeterminacy of Design with Machines and Mushrooms 4. Growing Materials: Technical and Caring Processes as Rooted Design Practices 5. Learning from Accidental Abundance 6. How would animals and architects co-design if we built the right contract? 7. Before the idiot, the poet? Aesthetic figures and design 8. Revisiting Empathy by Gentrifying Our Guts: Exploring Design as a Cosmopolitical Diplomacy Practice Through Microbial Fruits of Istanbul 9. Design Beyond Human Concerns: A Sancocho-Style Approach 10. Furrowing the ‘Maraña’: Designing to sail out of the Anthropocene

Martín Tironi is a sociologist at Pontificia Universidad Católica de Chile; holds a master's degree in Sociology from Sorbonne V and a PhD from Center de Sociologie de l’Innovation, École des Mines de Paris; and is post-doctorate, Center de Sociologie de l’Innovation, École des Mines de Paris. He is Visiting Fellow at the Center for Invention and Social Process, Goldsmiths, University of London, 2018. His research areas are anthropology of design, multispecies design, digital devices and technologies, and urban infrastructures. He is currently Director of the School of Design of Pontificia Universidad Católica de Chile and the Head Milenio project ‘Futures of Artificial Intelligence Research’ (FAIR).

Marcos Chilet is a designer who earned his undergraduate degree from Pontificia Universidad Católica de Chile and an MA from Goldsmith College, University of London. He is now Professor of Future Scenarios at the School of Design, Pontificia Universidad Católica de Chile. His practice and research areas are critical design, the relationship between politics, designers, and media technologies. He recently published the book Materiales Televisivos: hacia una economía digital de los contenidos about the impact of international streaming services in the Chilean TV culture. He was part of the curatorial team of the Chilean pavilion entitled Tectonic Resonances that won the London Design Biennale in 2021. He is currently Sub-Director of the School of Design of Pontificia Universidad Católica de Chile.

Carola Ureta Marín is adesigner and visual communicator based in London, specialized in editorial design, cultural development, and historical research projects. She obtained her BA in Design (2012), an MA in Cultural Management (2015) in Chile, and an MA in Visual Communication from Royal College of Art, London (2022). She was part of the curatorial team of the Chilean pavilion entitled Tectonic Resonances that won