Voice & Vision (4^th Ed.) A Creative Approach to Narrative Filmmaking

Develop your creative voice whilst acquiring the practical skills and confidence to use it with this new and fully updated edition of Mick Hurbis-Cherrier's filmmaking bible, Voice & Vision. Providing a solid grounding in the tools, techniques, and processes of narrative film, this comprehensive manual covers all the essentials whilst foregrounding artistic vision throughout.

Gustavo Mercado author of the best selling filmmaking books ?The Language of the Lens? and ?The Filmmaker?s Eye?, joins Hurbis-Cherrier to walk the reader through every step of the process ? from the transformation of an idea into a cinematic story, to the intricacies of promotion and distribution.

Key features include:

• Comprehensive technical information on video production and postproduction tools, allowing filmmakers to express themselves with any camera, in any format, and on any budget
  
  
• An emphasis on the collaborative filmmaking process, including the responsibilities and creative contributions of every principal member of the crew and cast
  
  
• A focus on learning to work successfully with available resources (time, equipment, budget, personnel, etc.) in order to turn limitations into opportunities
  
  
• Updated digital filmmaking workflow breakdowns for Rec. 709 HD, Log Format, and D-Cinema productions
  
  
• Substantial coverage of the sound tools and techniques used in film production and the creative impact of postproduction sound design
  
  
• An extensive discussion of digital cinematography fundamentals, including essential lighting and exposure control tools, common gamma profiles, the use of LUTs, and the role of color grading
  
  
• Abundant examples referencing contemporary and classic films from around the world Indispensible information on production safety, team etiquette, and set procedures
  
  
• A robust companion website that includes eight award-winning example short films; interactive and high-resolution figures; downloadable raw footage; production forms and logs for preproduction, production, and postproduction; video examples that illustrate key concepts found within the book, and more.

The fourth edition has been fully revised and includes updates such as: a more in-depth discussion of color grading tools, and their use in the filmmaking process; up to date information on the creative role of the Digital Imaging Technician; step-by-step procedures for effective camera tests and the development of custom LUTs in pre-production; and expanded sections on simple green screen effects, drone technology, funding, and distribution.

Whether using it in the classroom or looking for a comprehensive reference, Voice & Vision details all that?s needed to know about the filmmaking process, delivered in an accessible and reader-friendly format.

DEDICATION; COMPANION WEBSITE CONTENTS; ACKNOWLEDGMENTS; INTRODUCTION; WHAT’S NEW IN THE FOURTH EDITION; PART I DEVELOPING YOUR FILM ON PAPER; CHAPTER 1: FROM IDEA TO CINEMATIC STORY; CHAPTER 2: THE SCREENPLAY; CHAPTER 3: THE VISUAL LANGUAGE AND AESTHETICS OF CINEMA; CHAPTER 4: ORGANIZING CINEMATIC TIME AND SPACE; CHAPTER 5: FROM SCREENPLAY TO VISUAL PLAN; PART II PREPARING FOR PRODUCTION; CHAPTER 6: PREPARING FOR PRODUCTION; CHAPTER 7: THE CAST AND CREW; PART III TOOLS AND TECHNIQUES: PRODUCTION; CHAPTER 8: THE DIGITAL VIDEO SYSTEM; CHAPTER 9: THE DIGITAL VIDEO CAMERA; CHAPTER 10: THE CAMERA LENS; CHAPTER 11: CAMERA SUPPORT; CHAPTER 12: BASICS OF EXPOSURE; CHAPTER 13: BASICS OF LIGHT AND LIGHTING; CHAPTER 14: LIGHTING AND EXPOSURE: BEYOND THE BASICS; CHAPTER 15: SOUND FOR PRODUCTION; CHAPTER 16: LOCATION SOUND TECHNIQUES; CHAPTER 17: ON-SET PROCEDURES; CHAPTER 18: SET ETIQUETTE AND PRODUCTION SAFETY; Part IV Tools and Techniques: Postproduction; CHAPTER 19: POSTPRODUCTION OVERVIEW: WORKFLOW AND THE EDITING STAGES; CHAPTER 20: THE ART AND TECHNIQUE OF EDITING; CHAPTER 21: THE SOUND DESIGN IN FILM; CHAPTER 22: GRADING, MASTERING, AND DISTRIBUTION; BIBLIOGRAPHY; FILMOGRAPHY; PHOTO AND ILLUSTRATION CREDITS; INDEX

Mick Hurbis-Cherrier has been teaching all levels of film production at Hunter College in New York City for well over a decade. He works professionally in both film and video and has performed a wide range of duties, including producing, writing, directing, cinematography, and editing. His films have been shown around the country and have garnered prizes at a number of festivals. He is also the co-author of Directing: Film Techniques and Aesthetics (2020), now in its sixth edition.

Gustavo Mercado is an award-winning independent filmmaker with well over a decade of experience as a writer, director, and cinematographer of narrative films. The first edition of The Filmmaker’s Eye: Learning (and Breaking) the Rules of Cinematic Composition, was translated into French, Spanish, Chinese, Polish, Turkish, Portuguese, Japanese, and Korean, and is being used by film programs at colleges and universities worldwide. His second title in the Filmmaker's Eye film book series, The Language of the Lens: The Power of Lenses and The Expressive Cinematic Image was translated into Turkish, Spanish, Chinese, Japanese, Korean, and Ukranian. He teaches cinematography, editing, screenwriting, and film production at Hunter College’s Film & Media Studies Department in New York City.