Theatre Histories (4^th Ed.) An Introduction

This updated 4th edition of Theatre Histories offers a critical overview of global theatre, drama, and performance, spanning a broad wealth of world cultures and periods, integrating them chronologically or thematically, and showing how they have often interacted.

Bringing together a group of scholars from a diverse range of backgrounds and approaches to the history of global theater, this introduction to theatre history places theatre into its larger historical contexts and attends to communication?s role in shaping theatre. Its case studies provide deeper knowledge of selected topics in theater and drama, and its ?Thinking Through Theatre Histories? boxes discuss important concepts and approaches used in the book.

Features of the fully updated fourth edition include:

· Deeper coverage of East Asian and Latin American theater

· Richer treatment of popular culture

· More illustrations, photographs, and information about online resources

· New case studies, include several written by authoritative scholars on the topic

· Pronunciation guidance, both in the text and as audio files online

· Timelines

· An introduction on historiography

· A website with additional case studies, a glossary, recordings of the pronunciation of important non-English terms, and instructor resources

· A case studies library listing, including both those in print and online, for greater instructor choice and flexibility

This is an essential textbook for undergraduate courses in theatre history, world theatre and introduction to theatre, and anyone looking for a full and diverse account of the emergence, development and continuing relevance of theatre to cultures and societies across the world.

Part 1 1. From oral to literate performance 2. Pleasure, power, and transmission: Scripted and non-scripted theatres 3. Commemorative Drama and Carnival Part 2 4. Secular and Professional Theatre, 1250–1650 5. Theatre and the print revolution in Europe, 1550–1650 6. European Absolutisms and Performance, 1600–1770 Part 3 7. Sentiment, satire, and acting in bourgeois Europe, 1700–1785 8. Nationalism in the Theatre in Europe and the Americas, 1760–1880 9. Theatricalizing modern imperialism and Orientalism, 1790–1914 10. Realism, Early Avant Gardes, Commodity Capitalism and Circuits of Performance Part 4 11. Revolutionary times, 1910–1950 12. The aftermath of the Second World War and theatres of the Cold War: 1940–1970 13. Art, politics, identity, 1968-2023 14. Theatres of local roots and global reach, 1970–2023 15. Theatre in networked culture, 1990–2023

Daphne P. Lei is Professor of Drama and Associate Dean for Graduate Affairs at University of California, Irvine, USA. She is the 2022 recipient of Distinguished Scholar Award, a lifetime achievement award from American Society for Theatre Research.

Tobin Nellhaus is an independent scholar. He writes mainly on the relationship between theatre and communication practices, and on critical realism in theatre theory and historiography.

Tamara Underiner is Associate Dean for Research for the Herberger Institute for Design and the Arts at Arizona State University, USA, and director of the Ph.D. program in Theatre and Performance of the Americas.

Patricia Ybarra is the McMillan Family Professor of the Humanities in the Department of Theatre and Performance Studies at Brown University, USA. She is a former president of the Association for Theatre in Higher Education.